Sara Mae

Pathos!

Drunk & putting in two tampons,
I become a body horror movie star.

Packing is an abundant homophone.
In one universe I am tweed-hipped,

ass to the camera, tucking picture frames
in a Samsonite, dormant selves rattling

the glass. In another universe I keep
a flower vase in my soccer shorts to

guise myself boy gargoyle. When O’Hara
talked of “yoghurt-work”, the screenwriters

took it to mean the figs tugged fresh,
the milk at their stems, fig wasps umbilical.

I am in a bug costume, curled up in
a seedy circus tent. My love interest,

a fruit bat, glugs your heart strings when
he lands on the leaf which holds my home.

One time, I screamed at a party. A hand
on my breast: no humanity attached!

But when you trim my hydrangea,
we leave petals in the bathroom tiles.

They look like scythes. The special
effects team outdid themselves.

 

Sara Mae is a high fem writer and style witch raised on the Chesapeake Bay. They are a 2022 Open Mouth Attendee, a 2022 Tinhouse Summer Workshops Attendee, a 2021 Sewanee Writer’s Conference Scholar and a 2020 alum of the Heart of It. Their work appears in or is forthcoming from American Literary Review, Allium, Pigeon Pages, Hobart and elsewhere. Their first chapbook, Priestess of Tankinis, is out via Game Over Books. They write shimmery rock music as The Noisy. They received their MFA from UT Knoxville, where they were an Associate Poetry Editor for Grist Literary Journal.